10 Shows That Should Be Revived Next Year

Chris Peterson

  • OnStage Founder

When it comes to revivals, there is no shortage of them coming to Broadway this coming season. With powerhouse productions of Hello Dolly!, Miss Saigon and Sunset Boulevard on their way, it had me thinking about other shows that should really get a revival as well. Here are 10 that I hope get a look for 2017-18. 

Plays

Dancing at Lughnasa by Brian Friel

Plot: This extraordinary play is the story of five unmarried sisters eking out their lives in a small village in Ireland in l936. We meet them at the time of the festival of Lughnasa, which celebrates the pagan god of the harvest with drunken revelry and dancing. Their spare existence is interrupted by brief, colorful bursts of music from the radio, their only link to the romance and hope of the world at large.

Deathtrap by Ira Levin

Plot: Seemingly comfortably ensconced in his charming Connecticut home, Sidney Bruhl, a successful writer of Broadway thrillers, is struggling to overcome a "dry" spell which has resulted in a string of failures and a shortage of funds. A possible break in his fortunes occurs when he receives a script from a student in the seminar he has been conducting at a nearby college—a thriller which Sidney recognizes immediately as a potential Broadway hit. Sidney's plan, which he devises with his wife's help, is to offer collaboration to the student, an idea which the younger man quickly accepts. Thereafter suspense mounts steadily as the plot begins to twist and turn with devilish cleverness, and with such an abundance of thrills and laughter, that audiences will be held enthralled until the final, startling moments of the play.

Bus Stop by William Inge

Plot: In the middle of a howling snowstorm, a bus out of Kansas City pulls up at a cheerful roadside diner. All roads are blocked, and four or five weary travelers are going to have to hole up until morning. Cherie, a nightclub chanteuse in a sparkling gown and a seedy fur-trimmed jacket, is the passenger with most to worry about. She's been pursued, made love to and finally kidnapped by a twenty-one-year-old cowboy with a ranch of his own and the romantic methods of an unusually headstrong bull. The belligerent cowhand is right behind her, ready to sling her over his shoulder and carry her, alive and kicking, all the way to Montana. Even as she's ducking out from under his clumsy but confident embraces, and screeching at him fiercely to shut him up, she pauses to furrow her forehead and muse, "Somehow deep inside of me I got a funny feeling I'm gonna end up in Montana …" As a counterpoint to the main romance, the proprietor of the cafe and the bus driver at last find time to develop a friendship of their own; a middle-age scholar comes to terms with himself; and a young girl who works in the cafe also gets her first taste of romance.

Rosencrantz and Guildenstern Are Dead by Tom Stoppard

Watch the full-length program at http://video.pbs.org/video/2365179741/?utm_source=youtube&utm_medium=pbsofficial&utm_campaign=gper_covefullprogram (US Only) Watch Sherlock star Benedict Cumberbatch play Rosencrantz and Kobna Holdbrook-Smith play Guildenstern in a scene from Tom Stoppard's play Rosencrantz And Guildenstern Are Dead. The play was first performed at The National Theatre in 1967.

Plot: Acclaimed as a modern dramatic masterpiece, Rosencrantz & Guildenstern Are Dead is the fabulously inventive tale of Hamlet as told from the worm's-eye view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare's play. In Tom Stoppard's best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of Waiting for Godot resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end.

The Miss Firecracker Contest by Beth Henley 

UNC-Wilmington 

Plot: The place is the small Mississippi town of Brookhaven, the time a few days before the Fourth of July. Carnelle Scott (known locally as "Miss Hot Tamale") is rehearsing furiously for the Miss Firecracker Contest—hoping that a victory will salvage her tarnished reputation and allow her to leave town in a blaze of glory. The unexpected arrival of her cousin Elain, a former Miss Firecracker winner, (who has walked out on her rich but boring husband and her two small children) complicates matters a bit, as does the repeated threat of Elain's eccentric brother, Delmount, (recently released from a mental institution) to sell the family homestead and decamp for New Orleans. But, aided by a touchingly awkward seamstress named Popeye (who is hopelessly smitten by Delmount) and several other cheerfully nutty characters, Carnelle perseveres—leading to a denouement of unparalleled hilarity, compassion and moving lyricism as all concerned finally escape their unhappy pasts and turn hopefully toward what must surely be a better future.

Musicals

Damn Yankees

Plot: Middle-aged baseball fanatic Joe Boyd, trades his soul to the Devil, also known as Mr. Applegate, for a chance to lead his favorite team to victory in the pennant race against the New York Yankees. As young baseball sensation, Joe Hardy, he transforms the hapless Washington Senators into a winning team, only to realize the true worth of the life that he's left behind. Joe ultimately outsmarts Applegate, returns to his former self and shepherds the Senators to the World Series.

Rags

Plot: With great passion and humor, the story is told of Rebecca, a naive Russian immigrant arriving at Ellis Island with her young son, and their struggle to make a life for themselves in the New World. She goes to work in a sweatshop while searching for her husband who has preceded them to America. When they are finally reunited she discovers that his assimilation is not entirely for the best. His desire to change their name and strip away their ethnic culture so as to fit in with his cronies distresses Rebecca, whose gradual enlightenment leads her into union activities against the very men her husband so hopes to impress. Subplots concern an elderly immigrant, his daughter, and their respective romances, one of which ends tragically.

Grand Hotel

Plot: It is 1928. The world is between wars, the stock market is booming, Berlin is the center of high life, and optimism rules the day. However, underneath it all much is happening at the Grand Hotel's illustrious clients. Inspired by Vicki Baum's period novel, issues of life and death, financial ruin, love and murder converge as people and come and go through the lobby of the Grand Hotel.

The Secret Garden

Plot: This enchanting classic of children's literature is reimagined in brilliant musical style by composer Lucy Simon and Marsha Norman, the Pulitzer Prize-winning playwright of 'Night Mother. Orphaned in India, 11 year-old Mary Lennox returns to Yorkshire to live with her embittered, reclusive uncle Archibald and his invalid son Colin. The estate's many wonders include a magic garden which beckons the children with haunting melodies and the "Dreamers", spirits from Mary's past who guide her through her new life, dramatizing The Secret Garden's compelling tale of forgiveness and renewal.

Parade

Plot: In 1913, Leo Frank, a Brooklyn-raised Jew living in Georgia, is put on trial for the murder of 13-year-old Mary Phagan, a factory worker under his employ. Already guilty in the eyes of everyone around him, a sensationalist publisher and a janitor's false testimony seal Leo's fate. His only defenders are a governor with a conscience, and, eventually, his assimilated Southern wife who finds the strength and love to become his greatest champion.

BroadwayChristopher Peterson