We all loved calling Dorian Gray a breakthrough. Now Dracula is forcing the harder question. Is “cine-theater” a lasting theatrical language or a trend that only works when everything clicks?

Theatre is not a clock-in, clock-out job, and the spaces that try to treat artists like obedient employees are actively damaging the work.

If you want to walk out of a Broadway show, that’s your call. But announcing it on social media mid-intermission like it’s breaking news? Tacky.

West End audiences have raised concerns about a visible teleprompter during Cynthia Erivo’s one-person Dracula, but the bigger picture is less dramatic: this looks more like a fixable staging issue than a performer controversy.

K-pop isn’t a niche trend, it’s a global force. If the NFL is serious about culture, reach, and relevance, BTS should be next for halftime.

A KS theatre has reinstated its former artistic leader just weeks after his resignation. Critics point to a now-deleted statement acknowledging that an actor was given a “second chance” after predatory-behavior concerns had been raised.

This isn’t about “taste.” It’s about who people are comfortable seeing on the biggest stage in America, and who they still think should ask permission first.

“Community theatre wasn’t my stepping stone; it was my lifeline.”

Stop treating the theatre across town like the enemy. The audience isn’t a finite pie, actors aren’t property, and your real competition is Netflix. A rising tide lifts all ships.

A new batch of publicly released Jeffrey Epstein records includes references to New York theatre figures, including director Julie Taymor. While the mentions do not allege criminal wrongdoing, they raise questions about proximity, access, and what that suggests about vetting and accountability in NYC theatre.

A two-year “renovation” starting July 4, 2026? Totally normal. Nothing to see here. Anyway: 10 wildly out-there theories about why Trump is shutting down the Kennedy Center and the one real reason he doesn’t want to say out loud.

“Majoring in theatre doesn’t guarantee a specific future—but it opens the door to a thousand possibilities. And often, the path you least expected becomes the one you love most.”