Trump’s new college loan rule could put theatre programs at real risk by tying federal loan access to what graduates earn. For an industry where careers often take years to build, that’s a dangerous standard.

William Ivey Long has faced multiple serious public allegations of sexual misconduct and abuse. Now, the Tony Awards have named him to its Nominating Committee. That decision is indefensible.

Annie is coming back to Broadway for its 50th anniversary. But what do we actually want from this revival?

With Duncan Sheik’s death last week, I keep thinking about the work we already got from him and the new work we were still waiting to hear.

Yes, Wicked’s Broadway grosses are down from last year. But some of the panic online is completely ignoring the numbers that actually matter.

The Kennedy Center fight over renovations and Trump’s push to put his name on the building may look like another ridiculous Washington story. I think it’s a warning.

A financial tech company built around AI and automation is bringing a musical about paying bills to Broadway for one night only. With everything coming out about AI and the threat it poses to creative work, maybe this wasn’t the moment.

An actor says he was fired from an upcoming production of Bright Star just before rehearsals began after the theatre learned about his past work in adult entertainment.

Most of us have worked with people we disagree with. But what happens when those beliefs feel less like a political difference and more like something that could directly harm you or your family? Where do you draw the line?

A longtime Rome, New York choreographer is facing federal child pornography charges. Patrick St. Thomas spent decades working in local theatre, including productions involving young performers. That should concern every theatre, school, and parent in the community.

Kentucky high school Students thought their production of Ragtime had been canceled. The district says it never was and has apologized for the confusion. I think it’s worth asking how the communication got this far off in the first place.

Tim Curry meant a lot to a generation of theatre kids. He showed us there was room for performers who were strange, bold, theatrical and completely themselves.