The Top 10 BFA Dance Programs in the Country for 2017-18
The end of August is usually a time where college seems to be on everyone's mind. Whether it's incoming freshmen getting ready to move into their residence halls or high school seniors preparing their applications, college is a constant discussion.
For theatre students, where you attend can certainly have an impact on your career with the type of training you receive. It's also important to note that while each school listed here is excellent, a college degree doesn't guarantee success nor is one required to become successful in this industry.
Here at OnStage, we take months to research the best BFA programs to come up with our own lists.
We're going to do separate lists for each type of degree field. Let's start today with BFA in Dance.
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The Top Ten Most Underrated College Theatre Programs for 2017 - Mid-Atlantic Region
Here at OnStage Blog, we spend months compiling, researching and comparing college theatre programs to come up with what we feel are the very best colleges in the country. While names like Tisch, Juilliard, Emerson and Baldwin Wallace get plenty of attention, there are a ton of schools out there with incredible programs that deserve more.
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The Benefits of Student Ran Theatre
I’m a college theater major in a relatively small liberal arts college in Syracuse, NY. On my campus, we have two theater companies: the staff run, and the student run. The staff run has predominantly professors as directors and designers (occasionally students are used as assistant designers), and students make up most (if not all) of the cast and crew. On the other hand, there is the student run theater company. Everyone from the executive directors, to the directors, actors, crew, designers, etc. is a student (we still have faculty moderators, but they mostly make sure we manage the space, funds, and supplies properly). The faculty run company usually uses our larger stage space, and the student run uses the smaller, more intimate, space.
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10 Ways to Cope With Theatre Withdrawal
We’ve all been there before.
It may be for different reasons for different people. For some, finding the right role or gig might just be too hard, leaving us with a large gap of time in-between our creative projects. For others, work or family life may be taking up too much time. If you’re like me, it might be because you’re still in the middle of a major transition phase in your life that’s left you too busy to take up any huge new projects, at this point in time.
But at one point or another, I’m sure we’ve all known – to varying lengths or degrees – the unpleasant experience that is theatre withdrawal.
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Is the Lack of Diversity on Broadway a Trickle Up Effect? Or Is it a Circular Problem?
I started to wonder why in 2017, it is still such a struggle for performers of color (POC) to be cast on major stages. With the high profile shows of Hamilton casting the majority of their actors specifically and intentionally with POC, and with large Asian casts in the formerly running The King and I and currently running Miss Saigon, it appears as if the general landscape of casts on the stage has changed. This is misleading. This is not to say that Hamilton has not opened doors for actors and audiences as well, but the casting of Hamilton has not changed how other shows are cast. In addition, the roles for predominantly Asian casts often perpetuate negative stereotypes. In short, the numbers for POC in Broadway shows have gone up in the last couple of years, but mainly due to The King and I and Miss Saigon. The problem of real diversity on stage still exists.
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Moving from the Stage to the Classroom: A New Theatre Teacher's Journey - Part 2
The link appeared in my feed, advertising an opening for a full-time, tenure-track teaching position in Design and Production. The school was Wittenberg University, located in Springfield, OH, about an hour drive from my home in Columbus. I’m embarrassed to say that I was not familiar with Wittenberg, but I visited their website to see if this was a job worth pursuing. I wasn’t optimistic, having seen so many postings over the years that didn’t quite match up to my needs or qualifications.
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Theatre is an Elitist Major
I love theatre. I always will. I am still relentlessly pursuing a career in it. Yet we can’t ignore that it is an elitist major and career choice.
No matter how much I dreamed and worked, I will never make it to Broadway, I simply don’t have the money. I have had to turn down several freelance jobs and great opportunities because I had to choose economic stability over artistry, and it stings every time.
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Theatre Majors of 2017, You Are Enough
To the graduating Theatre Majors of 2017,
My commencement speaker’s most memorable line:
“Titles don’t matter, it is what you do with those titles that matter.”
Thanks for telling that to a bunch of people that just spent thousands of dollars to get these titles.
“Small businesses are the future of America!”
While that might be true, she was speaking at the College of Arts and Science ceremony.
Graduation is terrifying, and it doesn’t help when your commencement speaker seems to be talking to everyone but you. Deeming titles meaningless and small business empowerment doesn’t help the woman that spent four sleepless years to graduate Suma Cum Laude as a Theatre Major.
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