Posts in Broadway
Should the Tonys Start Nominating Off-Broadway Productions?

Over the past couple of months, I've heard from more than one person that they are concerned that the over-commercialization of Broadway will mean that less "artistic" and original musicals will be recognized by the Tony Awards.

While I think they're overreacting, I don't think their concerns are completely unfounded. After all, this past year, there wasn't a single musical that wasn't based on a movie or TV show or that wasn't a jukebox collection.

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How is "Wicked" Still Defying Gravity?

Next week Wicked flies into Edinburgh as part of its 2nd UK & Ireland tour. I am excited to say I will be attending press night to see how this new production compares to the previous tour and the show currently running in London's West End. However, Wicked the musical is one of, or most likely, THE most iconic musical in the world. How does it manage to maintain it's popularity 15 years after its premiere in San Francisco?

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Is "Frozen" in Tony Trouble?

While no one should be worried about whether or not Frozen is going to be a long-running Broadway smash, a concern that has been brought up to me by more than one theatre insider, is how much success will it have come June 10th at the Tony Awards. 

"Disney likes to make money," my source said. "But they don't like egg on their faces. And failure to win Tonys or even be nominated would certainly be that."

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Will OSF's "Oklahoma" Open the Door for More Same-Sex Revivals?

Last year it was announced that the venerable Oregon Shakespeare Festival would be putting an interesting spin on their upcoming production of "Oklahoma" by making the couplings of Laurey/Curly and Will/Ado Annie, same sex rather than the traditional heterosexual pairing. 

The announcement was met with praise but also with some skepticism. Would a recasting like this make sense? Would it work within the context of the piece? 

Well, at least according to local critics who have seen the show since its opening on April 22nd, it's worked perfectly. 

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Meet the Wonderful and Talented Audrey Cardwell

Audrey Cardwell is currently starring in the National Tour of Bright Star where she is playing the central role of Alice Murphy. She has also appeared in the national tours of Cinderella (Ella), Anything Goes and Elf and has been seen regionally at The Old Globe, Asolo Repertory Theatre, The Muny, North Shore Music Theatre, Houston Theatre Under the Stars, Dallas Summer Musicals and Pennsylvania Centre Stage. She’s also an alum of Penn State University.

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2018 Broadway Appeals to Everyone, Why is that a Bad Thing?

My mother recently told me that she and her friends were planning on taking a trip into the city to see a show. They're not the most consistent theatre-going bunch but they usually see a show every couple of years. 

Since my blogging has basically made me a travel agent for many of my friends coming to the city to see a show, she asked me if I had any suggestions. 

"What type of show are you looking for?", I asked. 

"Something fun", my mother replied. 

Thankfully, for the first time in a long time, I had a lot of shows to choose from. 

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Why Some Broadway Marquees are Jarring

While my first priority was always seeing whatever shows I had come to see that particular trip, early visits to New York City were also consumed by my eagerness to take it all in. Not the city; Broadway, specifically the fabled theatres. Long before thousands of pictures from a single day could be stored effortlessly on one's mobile phone, my dad would, fortunately, pack enough film (long, black, shiny plastic-y stuff with chemicals that fixed themselves into images when exposed first to light and then to other chemicals) to get pictures of me in front of every Broadway marquee we could find. With no idea what most of the shows were, and absolutely no idea who the theatres were named after, I collected Broadway marquees in a camera. It was really quite innocent if I do say so myself.

Now, I'm old and I know things, and things that used to be pure fun are borderline offensive to me. Watching a television report on a new Broadway show recently, I found myself asking, "What business does that show have in that theatre with that namesake?" It was an irrational response to an ultimately harmless coincidence that I realized I have felt several times over the past few years at least, and something I thought worth exploring. Why is it jarring to see certain Broadway marquees?

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Broadway Revivals: Maybe You Can Teach an Old Show New Tricks

I want to offer a rebuttal to the piece submitted on this site regarding three upcoming musical revivals, Kiss Me Kate, My Fair Lady and Carousel. Upon first glance they all seem horribly outdated, misogynistic and not conducive to the landscape that is 2018. I argue that with the right direction and treatment, they can be very timely and have important lessons to share.

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Jesus Christ Superstar Live! : The Good, The Bad and the Ehh

NBC's annual airing of live musicals took an enormous leap forward with their Easter broadcast of Jesus Christ Superstar. The 1970 Rock Opera, which Andrew Lloyd Webber composed when he was 22 (think on that for a moment), has been a fire rod of controversy and debate since its opening. I think we can agree that it has its fair share of fans and detractors. 

So NBC certainly was rolling the dice when it decided to air this on one of the holiest days of the year. How did they do? Let's break it down. 

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My Biggest Hope for "Hercules"

I’m still giddy over the news we are getting a Broadway version of Hercules.It is, in my opinion, one of the most underrated Disney films. That, and Meg is one of my favorite characters of all time. I relate to her in so many ways, more than I can count. And I Won’t Say I’m in Love is both brilliant and iconic.

To be honest, the idea that I have the potential to play a character who means so much to me on stage is thrilling.

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Conversations about New York theatre are important, even if you don’t live in New York

Broadway is not the be-all-end-all of theatre, though sometimes people act as though it is. Theatre happens everywhere. To say that New York theatre is the only theatre that matters is a misunderstanding of how the theatre community operates. On the other hand, denying the importance of Broadway is a misunderstanding of equal magnitude. Though New York isn’t the only place the theatre community talks about, it is where the largest, most centralized conversations are being had. This is a hard truth for the far-away fan, a side effect of loving a medium that draws some of its magic from being in the same location as its audience.

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