“Fat accessibility has a long way to go across the world, but there’s no reason it couldn’t begin with theatre.”
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“If anything, these arrests tell us that sexual predators are active in this industry and using it to lure their victims.”
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You’ve probably seen it: at the end of a play about some kind of tragedy, every character in the play starts interlocking monologues that individually paint their own pictures but which add up to a bigger picture, and the audience is often forced to move their heads around like their watching the worst game of tennis ever. I can see why playwrights would do this, but I think it is hurting plays.
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Critiquing art isn’t about tearing it down or throwing blanket support, it’s about holding art to a higher standard. Good, honest criticism comes from a place of desire for understanding and pushing the piece of art forward.
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So do me a favor if you are a casting director or someone who is running auditions. If you see our resume and you see that we are a non-Equity member. Please don’t dismiss us. Just because we don’t have a card yet doesn’t mean anything.
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Yes, unfortunately the state of the theater has become a disaster and it does not look like there is a rescue team on the way to clean up and revert back to a civilized manner. What happened to the days you could actually sit in the dark, sometimes with over a thousand people and enjoy seeing and hearing exactly what was happening on stage, without an inkling of it becoming a miserable experience.
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Every June when I was younger, the same commercial for a summer learning program would appear on my TV. It featured a little boy who, over the course of his summer vacation, forgot almost everything he’d learned the previous year.
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It's hard enough being a fat girl. It's hard enough being hidden, not desired, not preferred, not hired, mocked, stereotyped- but when you think you're being loved and you're actually being programmed and devalued? That's a whole other level of cruelty that I may never completely unpack.
This is where my #metoo story begins.
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As a white woman in theatre, I understand that I am automatically given some privileges when it comes to opportunity, and the way I am treated in lecture halls/school performances etc. For some, however, this is a struggle that engulfs their entire educational career when wanting pursue a life in the theatre.
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Many people get tattoos as an expression of something important to them, to cover up parts of their bodies they love less, or to have art on them. But as a performer there is always an anxiety when considering ink. “Will this tattoo make me less likely to be cast?” is a question I’ve pondered many times while considering tattoo placements.
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Give Shakespeare a chance the next time you’re looking for a wild tale to keep you engaged or a romance to charm you. Insert yourself into the story and take something away from it. Shakespeare’s work is still so applauded because it’s still so relevant, you just have to dig for the treasure.
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Performers with big egos are seen as difficult to work with, and an overall pain, whether they are especially talented or not.
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