College theatre program rankings failed BIPOC students

“The publications that release college theatre program rankings failed BIPOC students. Because of how these programs were highlighted, it sent BIPOC students to audition for schools that had no BIPOC faculty. It sent BIPOC students to schools that didn’t know how to communicate with BIPOC students in the classroom. It sent students to schools where they would endure microaggressions, bullying, racism, discrimination that either pushed them out of the program or made graduation feel like more of an escape than an achievement.”

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'Passing Strange': Looking at travel narratives through a fresh lens

“Passing Strange is refreshing from the get-go because it is conceived and voiced by black artists in an industry dominated by white people. It is refreshing because it’s a show where non-white characters aren’t reduced to stereotypes like they are in The Book of Mormon, and they also aren’t reduced to their trauma and tragedy, like they are in Miss Saigon.”

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Should theatres be required to submit COVID-19 safety protocols in order to secure licensing rights?

“In recent weeks, with theatres side-stepping AEA’s safety protocols and the COVID-19 outbreak among a community theatre cast of Mamma Mia, there has been a lot of discussion about what can be done to prevent theatres that are being unsafe, from producing shows. An idea that I’ve seen gaining steam on social media is for safety protocols to be approved by licensing companies in order to secure rights to do the show.”

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"An Iron Fist or An Open Heart": How bullying in arts education is turning a generation of young artists off to the arts

“When you have teachers and directors who truly know their stuff, they don’t berate, they cultivate. Encouragement, corrections, creative teaching, positive reinforcement, confidence building. These are the keys to creating tomorrow’s performers and artists. Not Fear. Not Bullying. Not yelling.”

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