Like most Bong Joon-ho films, Parasite is multi-faceted and a bit of a genre-bender; a dark, bubbling concoction of comedy, drama, and thriller that is loaded with social commentary.
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“As good of a movie as Terminator: Dark Fate is, I walked out of the movie more convinced than ever that they never should have made another sequel after T2. Try as it might to paper over the last three films, it ultimately can’t undo that original sin of making any movie beyond T2.”
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“Pattinson and Dafoe both give towering, memorable, and haunting performances. This film keeps you off balance all the way through its hallucinatory decent.”
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“Zombieland: Double Tap keeps things lively enough to keep things entertaining and prevent everything from decomposing and being completely braindead.”
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“Joker is a film that wants to challenge audiences, wants to provoke, and wants to be great. Joaquin Phoenix has moments where he is mesmerizing but as compelling as he is there are just as many elements of this film that are problematic or provocative just for the sake of being provocative.”
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“The racing is thrilling, the lead performers are engaging and having fun, and it tells a compelling underdog story of the Ford racing team vs. the world. It’s a genuine crowd-pleaser.”
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“Brad Pitt gives one of the best performances of his career in this film that may finally start to make director James Gray more of a name that audiences are familiar with.”
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It Chapter Two arrives in theaters with some lofty audience expectations. While the sequel floats in some respects, sadly, it sinks in other areas.
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Good Boys may not quite live up to the expectations of being Superbad in sixth grade, but it comes close. The three lead kids are individually funny and work well as a group of friends trying to make their way through the hardships of middle school.
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As long as Johnson and Statham are game, I suspect we will be seeing a Hobbs & Shaw 2 in 2-3 years’ time. That wouldn’t be the worst thing in the world. It’s a reliable summer action flick.
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At this point, it seems like we should know what we’re getting with a Quentin Tarantino film, right? There’s going to be loving to old films he loves, great characters with great dialogue, and at least some moments of hyper-violence. With Once Upon a Time… in Hollywood, Tarantino manages to keep the formula fresh and vibrant. He’s also expanding his storytelling palate, which is probably going to be slightly divisive for some.
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The arc of Pride Rock in the movie feels like it is paralleling how these Disney adaptations are going; at the beginning, it was teeming with life and growth and possibility, but it is now starting to look a little rundown, soulless, and, if things don’t change, it could start to look desolate. Aside from stunning visuals, there is a lack of substance in The Lion King that is becoming much more common in these Disney adaptations.
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Crawl has just the right amount of creature feature substance and quality thrills to make it an enjoyable and effective summer flick.
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Overlooking the occasional misstep, Spider-Man: Far From Home is a fun continuation of the story of this iteration of Spider-Man. Tom Holland has pretty much cemented his place as the best Spider-Man we’ve had.
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Beyond being a truly entertaining, cinematic thrill ride, I’d guess that “Midsommar” will act as a Rorschach test for viewers.
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Even though it’s not my new favorite Toy Story movie, Toy Story 4 is still a very enjoyable and satisfying movie. If this is the end of the road for these characters, then it’s been a great run. If they continue the story, then I’ll be very interested in what that new direction will be.
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I won’t need to be neuralysed to forget Men in Black: International; it’s completely forgettable on its own, which is a shame because I’m a huge fan of practically everyone involved.
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With X-Men: Apocalyse and now Dark Phoenix, it is clear that the X-Men franchise, which once set the tone for the genre, has been surpassed by nearly everyone else. It’s a sad sight to see.
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Musical biopics are highly formulaic and while Rocketman doesn’t reinvent the formula, it has enough flare and personality to make it stand out and not be derivative.
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I enjoyed 2014’s Godzilla when it came out. This is a major step down. Godzilla: King of the Monsters is a series of amazing visuals shots that brings practically nothing else to the table.
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