OnScreen Review: "Avengers: Infinity War"

It’s all been building to this. Except for when everything was building to The Avengers. The Marvel Cinematic Universe (MCU) has been building to this moment, more or less, over the last decade’s worth of movies, eighteen so far. Avengers: Infinity War is supposed to represent the beginning of the end for what is known as Phase Three of the MCU. With a planned (and already filmed) sequel due to arrive next summer that concludes the story, Infinity War leaves Earth’s mightiest heroes hanging on a perilous note with the stakes pushed higher than perhaps any movie has ever pushed the stakes before.

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OnScreen Review: "Blockers"

The raunchy teen sex comedy is a movie staple that goes back a long way. Most of them are formulaic and not very good. They can range all over the map in terms of quality, though most of them are outright bad. Every once in a while, though, a movie nails the formula and ends up being good (Fast Times at Ridgemont High, American Pie, Superbad to name a few).

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Christopher Peterson
OnScreen Review: "The Death of Stalin"

One of my most anticipated films of 2018 was The Death of Stalin. Adapted from a French graphic novel, it is directed by Armando Iannucci. Iannucci is responsible for some of the funniest political satire of the 21st century in the form of the BBC series The Thick of It, the spin-off movie In the Loop, and the HBO series Veep. These satires are biting, critical, and hysterical. It has been on my radar since early 2017 when I first heard of it and was pleased to discover it was finally getting a spring theatrical release here in the US. Unfortunately, the film failed to live up to my high expectations.

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OnScreen Review: "Rampage"

We all love a good action movie now and again, don't we? Now, if someone was to ask you who the king of action was, who would you answer? Well, I'm 21, therefore, my generation's action movies have been dominated by one man. And that man is Dwayne "The Rock" Johnston, who to me is the king of action. So how does his new blockbuster, Rampage, face up to his previous kick ass films? 

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OnScreen Review: "A Quiet Place"

Films are mostly perceived as a visual medium; most people when asked to explain the difference between a book and a film adaptation of the same book will talk about how books are conveyed through words whereas movies are depicted through images.

Lost in this discussion is the fact that film is more often than not also an audio medium. In some films the audio can be just as important and the visuals. Francis Ford Coppola’s The Conversation is riveting because of the audio recording that Gene Hackman’s Harry Caul obsesses over. The Blair Witch Project relies almost entirely on the unnerving sounds heard in the woods to be terrifying as anything actually shown on screen. Soundtracks and scores and instrumental (pun intended) in cluing the audience into how the director wants them to be feeling about what is happening on screen. A Quiet Place is a horror film that relies heavily on the aural aspect of experiencing a film and executes its mastery of sound to incredible effect.

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OnScreen Review: "Ready Player One"

Ready Player One is a film based off a very popular book of the same title back in 2011. Ernest Cline’s novel is an ode to the 80s, video games, pop culture, and geekdom in general. Steven Spielberg, whether as a director or executive producer, is a figure who was heavily involved in the creation of much of which Cline’s book celebrated. Therefore, it makes a certain amount of sense that Spielberg would be the director to adapt the book for the big screen.

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OnScreen Review: "Tomb Raider"

Tomb Raider is one of the most popular video game franchises in the history of video games. It has spawned several video games over several generations of platforms. Angelina Jolie famously portrayed the iconic Lara Croft character over two lackluster movies back in 2001 and 2003. After a recent reboot of the character on the latest video game generation, the character has been rebooted on the big screen, this time with the very talented Oscar-winner Alicia Vikander stepping into role.

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OnScreen Review: "Pacific Rim Uprising"

It should be surprising to no one that a sequel has been made to Guillermo del Toro’s 2013 blockbuster Pacific Rim. It made enough money worldwide to catch the eye of the studio and put out a sequel nearly five years later. It’s always a bit of a crap shoot as to what kind of sequel you’re going to get when the director moves on and is just in a producer role the second time around. Pacific Rim Uprising definitely falls into a specific of category of sequel, the one where the original star is jettisoned but enough of the familiar faces return to make it bear enough of a resemblance to the original.

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Christopher Peterson
OnScreen Review: "A Wrinkle in Time"

A Wrinkle in Time is a classic children’s book that I never read growing up, but was keenly aware of its existence, one of a number of books that slipped through the cracks for me growing up. I had purchased the book on my Kindle a few years ago with the intention of reading it eventually. With the release of the film adaptation, I decided to cram this week and read the book between Wednesday evening and Friday morning before catching a Friday matinee of the film. The previews of the film had caught my eye for months and interested me, and, given the quality of Selma, I wanted to see what director Ava DuVernay would do with the project. Unfortunately, I was disappointed with the outcome.

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OnScreen Review: "Phantom Thread"

After sitting with it a few weeks, and not having the time to write about it immediately after seeing it, the things that kept me from loving it initially have faded while the eccentricities and odd little moment of humor have heightened a bit, leaving me to wonder what an eventual second viewing might hold in a few years. Perhaps my tastes will be more in tune with it’s high fashion by that point, and it’ll be something I can enjoy rather than just appreciate.

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A Journey Across the Small Screen: An Interview with Stephanie Rogers

We have all had dreams of being a TV/Movie star from when we were young. A small percentage of us try to make that dream a reality. An even smaller percentage of those people actually make in front of millions of viewers. I had the opportunity to speak with one of those people who made her dream a reality, the talented Stephanie Rogers, who has appeared in shows like Saturday Night Live, The Blacklist, The Knick, 30 Rock, Law and Order SVU, Smash, and many others. How did she get there, what has her journey been like, who have been the best movie stars to work with, and what advice would she give to anyone else who wants to live the dream.

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TVChristopher Peterson
OnScreen Review: "Godzilla: Planet of Monsters"

Godzilla: Planet of the Monsters is a new Japanese CG anime kaiju film.  It was produced by Toho Animation and was animated by Polygon Pictures. It is the 32nd feature film in the Godzilla franchise and the first animated take on Godzilla. It was co-directed by Kōbun Shizuno and Hiroyuki Seshita, with a screenplay by Gen Urobuchi. It was recently released worldwide via Netflix.

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OnScreen Review: "The Post"

Steven Spielberg is a director who normally operates in two types of modes; alternating projects between big blockbusters and serious filmmaking with awards in mind. His latest, The Post, makes no qualms about what kind of film it wants to be, landing firmly with both feet in the latter camp. Spielberg has never been shy about making films with a message, but they rarely have been so deliberate in their intent to speak to the relevant news of the present.

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