Director DIane Paulus Apologizes to Griffin Matthews for Racist Incidents During Show
Earlier this week, writer Griffin Matthews posted a video on Facebook that detailed some of the racist experiences he had while developing his musical, Witness Uganda. You can watch that video here.
In his statement, he accused the director of the show for making various racist comments including saying that one of the actresses didn’t seem “black enough” to be in the show. He also said that the producer of the show said that “slavery is over, no one wants to hear about that.” when talking about a song in the show.
While Mr. Matthews didn’t explicitly name the director or producer, they were Tony-winners Diane Paulus and Kevin McCollum.
Yesterday, Ms. Paulus gave a statement to respond and apologize to Mr. Matthews. First reported by Playbill, she said.
In recent weeks, a growing number of people from across the country and around the world have raised their voices in opposition to police violence and anti-Black racism in American culture. They have joined in peaceful protests, taken on powerful forces in Washington, and shared their own lived experiences to awaken and elevate the nation’s consciousness about the many ways—some overt, some less so—that racism impacts Black lives. One of those voices was Griffin Matthews.
In 2012, I received a script and a CD of music from Griffin, the creative force, along with Matt Gould, behind the musical Witness Uganda. I immediately fell in love with it and was excited to work on it with Griffin and Matt. Over the next several years, we embarked on a journey together with actors, choreographers, and designers to bring this story to audiences, both in Cambridge and New York City. Imbued with honesty, love, and a powerful message, this show needed to be seen by as many people as possible. As a director, it has always been my passionate goal to create brave spaces for artists to flourish. In a process filled with creative differences, many rewrites, and heated discussions around a subject matter steeped in the pain of racial violence, it was my responsibility to create a space where those issues were handled with the deepest care. I could and should have done better.
I am profoundly sorry for the pain I caused Griffin and any other person involved in our process. I am learning. With every new project and every new process, I re-commit myself to engaging in deeper self-reflection, to creating braver spaces for more collaborative art-making, and to listening to feedback to help me be a better artist, director, and citizen. We live in a racist world, and no one is immune to it, myself included. To transform this world, we need first to acknowledge the role we play in it. This letter is part of that process.
I also realize this process is not happening fast enough. Our entire industry, especially those in positions of power, needs to examine our practices and make changes, including at my own institution, the A.R.T. Accountability is paramount, for myself and for all of us in our field.
Over the last few days, I have taken to heart the call for deep listening, introspection, and action. As our nation grapples with the legacies of racism, we must stand up and speak out about the horrific murders of George Floyd, Breonna Taylor, Ahmaud Arbery, Tony McDade, and so many more. As artists, we have the power to shine the light on the historical inequities and injustices that have always defined life in America, and we can help model and illuminate the path forward.
— Diane Paulus
Mr. McCollum has not yet responded to Mr. Matthews’ video.