“Under Leigh Silverman’s impeccable and focused direction, the ensemble cast creates a palette of strong emotions and enduring questions about the future of humankind.”
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“Piccione says he wrote this play so that people could have a better understanding of how someone like him might be feeling and provide hope to those that are. I would say that he more than achieves that with “Therapy Session.” ‘
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“There are so many things going on in this play that it would be impossible to mention them all. All I will say is “Nothing Human” will keep you thinking long after the curtain closes.”
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“Under Danya Taymor’s intuitive and exacting direction, the accomplished cast delivers believable and authentic performances and embodies the characteristics of Yeats’ rough beast with cathartic effect.”
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“The competent cast does what it can but cannot transcend the inferior material they have to work with or the haphazard direction by Lonnie Price who usually delivers an exceptional product.”
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“Although Mr. Letts provides yet another example of his prolific writing in “Linda Vista,” it is also filled with long, incendiary sex scenes that do nothing to move the plot forward and almost seem gratuitous.”
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“Under the proficient eye, of Director, Margarett Perry, the interactions and relationships are powerfully, thoughtfully, and subtly acted by this terrific cast of four. The play is beautifully staged and with spot-on timing.”
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"“2020” was a show that had a lot of promise and began with many great ideas but failed to go beyond what we see on the news. Clever lines and good ideas were lost amongst the multitude of things it wanted to say. “2020” covered a lot of topics, but again, I ask the question: What about them?”
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“The stellar cast is more than competent but seems to have succumbed to the heavy-handed, muddled and indistinct direction of Michael Mayer.”
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“Overall, I very much enjoyed “Truth and Reconciliation” and look forward to seeing future iterations.”
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"In Moore’s masterful hands, Miss Julie is a stirring invitation to wake up, an invigorating exploration of choice and consequence, gender and class, freewill and authority that you will want to lean forward in your chair to not miss a beat."
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‘“The Séance Machine” has a fun and frightening second half with some great questions that it’s asking. Though, one just has to wait through the scientific demonstration to get there.”
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“It is unfortunate that the work of these two skilled performers are unable – due to the script – to usher the members of the audience into any morally satisfying catharsis.”
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“The play gives us multiple perspectives from these women and allows us to work out all of the ideas given to us for ourselves. There is no one answer that we are led to and this results in the audience having to think it out for themselves, and really critically evaluating what they just saw, which is exactly what a play like this wants to do.”
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‘“Slave Play” is not for the hard of heart, the heard of “hearing,” or the weak in spirit. However, Mr. Harris’s play must be seen as part of the overall process of awakening, healing, and making sense of it all before it is too late.”
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““God is a Woman” is running at the Soho Playhouse from September 6th through October 12th and it is not one to miss for anyone who is a fan of intelligent comedy.”
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“Art of Warr’s production of this powerful play adapted from a classic was engaging, frightening, and strikingly relevant. A very well done production that I would highly recommend checking out.”
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“Bernard Shaw’s Caesar & Cleopatra,” currently playing in Theatre 1 at Theatre Row, injects a palpable dose of modernity into the history of the relationship between Caesar’s Rome and Cleopatra’s Egypt.”
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“Jack Thorne’s “Sunday,” currently running at Atlantic Theater Company’s Linda Gross Theater, seems to elicit one of two responses: disappointment or robust enthusiasm.”
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“Despite the help of his fellow actors, Jeffrey Bean does not quite show the audience the shadowy underbelly of John’s story. Perhaps he needs more direction or perhaps he needs even more help from Mr. Hegarty and Ms. Street. “
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