Posts in Toronto
Review: Theatre on the Ridge presents "Peter Pan"

It was more than 100 years ago that playwright and novelist J.M. Barrie created his most iconic character, Peter Pan. Since that time, the boy who wouldn’t grow up has been well-represented in everything from plays and books to movies and TV shows.

At its heart, the play is about the discord between the fun and innocent nature of being a child and the seriousness and responsibility of being an adult. While Barrie explores the darker side of this conflict in his original play and in his subsequent novelization, Theatre on the Ridge’s production focuses on the more lighthearted and magical aspects of the story, making the show much more accessible for children. And that is a very good thing because, let’s face it, there is not enough theatre available for kids to enjoy.

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Review: "The 39 Steps" Presented by 3P Productions

Dashing Canadian hero, Richard Hannay, whisks us on an epic journey through an adventure-filled myriad of iconic film noir characters, accents, and scenes in hopes of revealing the meaning behind ‘The 39 Steps’. Take a 1935 Alfred Hitchcock film thriller and adapt it for the stage. Add some slapstick comedy, mix in four brilliant actors who play an array of iconic spy genre characters plus a dash of some quirky stage directions, and you’ve got Capitol Theatre’s latest, boisterous and bona fide hit, The 39 Steps

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Review: "An Ideal Husband" at the Stratford Festival

‘Tis a puzzlement, these plays of Oscar Wilde. They require audiences to pay careful attention as it is easy to get lost in the intricate and, sometimes, silly plots. Considering the advent of #metoo, I’m also wondering if Wilde’s plays of characters who withhold secrets and indiscretions still hold relevance for a twenty first century audience. I sat on the incompletion of this opening night review for a few days to ponder whether Stratford’s ‘comedy of manners’ production of An Ideal Husband was a wise choice for the 2018 slate.

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Review: Long Day's Journey into Night at the Stratford Festival

Director Miles Potter and the company’s naturalistic approach and vision of this production is critical for a true appreciation of O’Neill’s 20th century American masterpiece tragedy. Kim Solga, professor of Theatre Studies at London, Ontario’s Western University, adds to this understanding of naturalism with the term geopathological drama (I never heard it before) in the Playbill analysis. Ms. Solga writes the Tyrone country cottage, itself, seems to be killing each member of the household slowly.

And right she is on this account.

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Review: "Innocence Lost: A Play About Steven Truscott" at Soulpepper Theatre Company

Jackie Maxwell’s direction is sharply attuned in this extraordinarily outstanding ensemble piece. The nicely rehearsed choral work was flawlessly executed as each consonant-enunciated sound was clear. Overlapping voices from the past provided suspenseful tension as I wanted to hear as much as possible what the townspeople had felt and endured during this time. I was riveted with much anticipation on each word spoken during both acts and was surprised when intermission rolled around. Under the guidance of Ms. Maxwell, this remarkable company treats this controversial subject material of guilt, innocence and responsibility with compassion, humanity and dignity.

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Review: "Ma Rainey’s Black Bottom" at Soulpepper

In the early 1980s, African-American playwright August Wilson began writing what would become known as his Pittsburgh Cycle, a series of ten plays —each set in a different decade of the 20th Century — telling stories about the Black experience in America. Ma Rainey’s Black Bottom tackles the 1920s. Ma Rainey was an early Blues singer who earned the title “Mother of the Blues” and who, decades after her death, was inducted into the Rock and Roll Hall of Fame. It is mainly through Ma Rainey’s session musicians that much of the story of Ma Rainey’s Black Bottom is told.

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Review: "Maggie & Pierre" at Tarragon Theatre

In this one woman show, Kaitlyn Riordan plays Henry, a reporter who investigates the global fascination around one of Canada’s most iconic prime ministers and his flower child wife.  She then segues fluidly and naturally between two radically challenging performances as a bombastic and pompous Pierre Elliott Trudeau and his insecure and, at times, unstable wife, Margaret Sinclair.

I never saw Maggie & Pierre with Linda Griffiths when It premiered in Toronto years ago. I did not want to miss this opportunity again.

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