“Take rejection as an opportunity to work on living so you can bring even more layers to your next audition or experience on stage.”
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It's 2019, and we have a lot of issues. Theatre and art are rightfully being accepted and respected as part of the conversation about our feelings and the problems themselves, as well as changing policy and, well, the way we live.
In reaction to the news and national events, we open up our computers, and we create; we gather our friends, and we create; we get on stage, expose our guts, and we create. We create plays and work that responds to this new world we're in, the very one we attempt to change through art and creation.
That's awesome. Really, it's awesome. But it also could potentially create some issues.
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As adults, is it 'cool' to hate competitive theatre festivals and events? Is it in our moral DNA to say it's not right to judge art?' Does our stance change if we are also thrilled by it, and would we have a different point of view if we were the ones winning?
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I was at a disaster training when it happened again. The irony of being in a disaster training but without protocol for....that other disaster. The one, you know it. That feeling that comes on when you are out of place, but shouldn't be. The moment when every sign on earth points to you being the center, placing you right at the right time but the worst place. I was a theatre kid in a theatre scenario with non-theatre people.
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