“If you identify as a “mover”, don’t use it as an apology. For many actors, “mover” is a good way to express strength in physicality, especially for people who don’t perform in musicals.”
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“There’s no official rite-of-passage that someone has to pass through in order to identify as an artist. People who are full-time artists are artists. People who are artists after their 9 to 5 office jobs are artists. People who are stay-at-home parents and full-time nurses, that volunteer for an occasional community theatre production in their free-time are artists, too.”
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“If a fat person auditions for your show, don’t assume that they can’t do a lift or keep up in a big production number. Don’t rule a fat person out for auditioning for the Soprano-ingenue when they could have the best voice of anyone you’ve heard all day.”
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“It’s always crucial to consider your worth as an artist before committing to any new projects.”
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“No matter what your role in theatre is, any way you dice it, rejection sucks. But when people don’t handle rejecting their applicants with a sense of professionalism, being rejected is even worse.”
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The theatre community is comprised of many different types of people, with an especially large number of people who identify as LGBT+. If our community is so largely composed with queer people, why aren’t we doing a better job of telling their stories?
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“Producing Neil LaBute’s work is oppressive to womxn, people of size, people of color, people with disabilities, and many other groups, while simultaneously putting money into the hands of someone known to be problematic and hurtful. Keep your theatre life safe and healthy, and truly consider your choice before producing, or working on, a Neil LaBute piece.”
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