A hit across the country, The Hunchback of Notre Dame makes its Bay Area premiere at the Victoria Theatre under Bay Area Musicals. This production ends their season with a bang, ringing all the right bells as the audience watched from the parapets.
Read MoreA country should always learn from their past, but what if there is something to learn from the history of a country and ocean away? Z Space presents their production of A Lesson From Aloes by Athol Fugard, which examines an era of racial tension and oppressive government in South Africa that is unfortunately familiar to issues we are facing today.
Read MoreThe queens return to Theatre Rhinoceros for a limited engagement of Priscilla, Queen of the Desert, after a celebrated run of the production last season. Filled with popular music and colorful characters, Priscilla brings a night of fun, campiness, and acceptance to the theater.
Based on the 1994 Australian comedy The Adventures of Priscilla, Queen of the Desert; the musical follows Anthony (or Tick) as he travels across the Australian desert on the bus christened “Priscilla.” Tick is performing in a show run by his ex-wife, but plans to reunite with his son, unbeknownst to his fellow queens on this trip: the legendary transgender performer Bernadette and the young, saucy upcoming queen Adam. Along their trip, they encounter loving fans as well as homophobic crowds, and learn to grow closer together as a sisterhood.
Read MoreWhen you combine the infectious beats of The Go-Go’s with the prose romance The Arcadia, you get an interesting mix of pop punk Renaissance flair. Head Over Heels opened Wednesday at The Curran, bringing the beat to San Francisco before heading to Broadway later this summer. The team that brought you unique musicals like Hedwig and the Angry Inch, Spring Awakening, and Avenue Q redefines the musical comedy with this funky Elizabethan story.
Read MoreFrom gospel music to sweet potato pie, Marcus Gardley’s play Dance of the Holy Ghosts follows the life of Oscar Clifton through rose-colored glasses. However, the ghosts of his past and present tell the audience a much different story than the life Oscar remembers.
Read MorePlaywright Julia Cho challenges a pressing issue in our country right now, gun violence, in her new play Office Hour at Berkeley Repertory Theater. Cho’s approach to this topic is one that adds new layers to the conversation, which is fresh in all of our minds.
Read MoreStraight from the San Francisco Fringe Festival, Weightless is an innovative new musical playing in one of San Francisco’s newest and most innovative theaters spaces, Z Space. A performance combining indie-rock music, technology, and mythology; Weightless redefines what the modern musical can do by reexamining stories from the past.
Read MoreWhen soldiers returned home from World War II, many protected their families and loved ones from what they experienced on the battlefield. However, in Anne Yumi Kobori’s new play Seeds, these secrets haunt these soldiers, as they attempt to readapt to life after the war.
Read MoreShaw is not an easy playwright to decipher, and Aurora Theatre Company was able to make a thoughtful interpretation that entertained while teaching the audience, through societal concepts of another era.
Read MoreWhile traditionally seen in a bigger production, this version of Streetcar benefited from the smaller playing space. The focus shifts on the characters and their many complicated relationships, garnering the attention from the audience. Director Emilie Whelan did an excellent job making William’s writing really shine in this classic story of passion and betrayal.
Read MoreThe beloved Disney animated classic turned Broadway musical Aladdin has flown into San Francisco for the holiday season. Full of comedy, music, and pure Disney magic, Aladdin is sure to dazzle and entertain families despite looking closer at some of the musical’s missed opportunities.
Read More“If you knew my story, you’d have a good story to tell.” This first line carries over the folk orchestra during the opening number of the Tony-nominated musical Bright Star, by written by Steve Martin and Edie Brickell. A new production of this musical, which played Broadway last year, now tours the West coast with some of the original cast and creative team, including the powerhouse vocals of Tony-nominee Carmen Cusack. But while this production has a story to tell, some say it’s a story that some have heard before.
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