It’s risky business for a theatre company to stage unknown/new works. There is no telling how the audience will react. In the case of The Value of Moscow (written by Amy Dellagiarino), the risk payed off. Dark Horse was able to put forward a very entertaining, fresh piece of theatre. The plot is described as “Three grown "adult" sisters are thrust back into living together as a last resort after their various lives have fallen apart”. It makes many allusions to Chekhov’s play Three Sisters and takes inspiration from many of his other works as well. Just like a true Chekhovian work, the play deals with numerous serious events/themes but is, at its core, a comedy of life. Part farce and part family drama, the show has something for everybody!
Read MoreRyan Walker excelled in the role of Jesus, commanding attention and focus every time he was on stage. He ranged from kind to stern to loving, and ultimately to heartbroken. I believed he cared for each and every one of his “disciples” and only ever wanted the best for them. His vocals never faltered, and he never seemed out of the moment. The script doesn’t provide very many given moments for Judas to shine in the piece, but that didn’t stop Jay Tilley from creating his own moments to shine. He gradually broke off from the group and made it clear he wasn’t buying everything Jesus was selling. The two worked quite well together, making the ending of the musical that much more tragic.
Read MoreIn my experience, true theatre magic doesn’t come in huge auditoriums or expensive venues. It comes from small rooms or meeting spaces. Such was the case for Craving For Travel presented by Dark Horse Theatre Company. From the moment you enter the venue (a historic church), you are engrossed in a sense of community and love of the theatre. The show follows a hectic day by two rivaling travel agents (once married to each other) and the interactions they have throughout the day. The fun part is that only two actors are on stage, playing the agents and everyone they come in contact with. This leads to hilarity and entertainment for the audience.
Read MoreMusical adaptations of movies are all the rage right now, and for good reason. They’re easily recognizable, thus drawing in large audiences. “9 to 5” is no exception, with its timeless music and story. Dolly Parton, an original star in the film, penned the musical's lyrics and music, while Patricia Resnick wrote the book. Prince William Little Theatre staged a rather entertaining production of this show which I am glad I saw, over this past weekend.
Read MoreWhile many of us are still awestruck over the smashing success that was The Greatest Showdown, we might forget that it wasn’t the first musical to deal with P.T. Barnum, nor was it the most accurate musical to do so. The great folks at PWLT, possibly cashing in on the subject’s popularity, mounted a very entertaining production of Barnum. Barnum, as the name suggests, follows the life and tribulations of P.T. Barnum, spanning decades and focusing mostly on what happened behind the scenes of his illustrious circus. It begins with Barnum in a low-profile sideshow, attempting to sell “Humbug” to as many people as he can, then we slowly see him become more and more successful, leading to his museum purchase. After that, we see tragedy after betrayal after tragedy as Barnum must ultimately figure how to go about his love of the circus.
Read MoreI recently had the pleasure of seeing Addams Family the Musical at The Center for the Arts in Manassas, Virginia. The musical, as expected, is based on the old Addams Family TV show and the 1990’s films. The show, put up by Rooftop Productions, follows an older Wednesday Addams who believes she has fallen in love with a young man, Lucas. Lucas and his family come from Ohio, which is a stark contrast to the Addams’s interesting lifestyle. Trouble in sues when Wednesday asks her father, Gomez, to keep the couples potential marriage a secret from Morticia, Gomez’s wife and Wednesday’s mother. This causes a rift in the family and all relationships involved.
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