“John Patrick Shanley’s bizarre new play “Candlelight” is an ambitious hodgepodge of genre-jumping exuberance that will leave you breathlessly befuddled.”
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“The Pool, an artist-led pop-up theater company producing three ambitious new plays in rep, electrifies at The New Ohio Theater downtown. Catch them one at a time or settle in for a three-show day doozy; individually and collectively, this year’s cycle of Pool Plays is sure to linger long on the mind, coating the audience in a sickly-sweet malaise wrapped in deceptively charming premises.”
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“A perfect evening for all ages, “Riddle of the Trilobites” delights, challenges, and encourages all of us to be the change we want to see in the world.”
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“Wang Chong and his Beijing Théâtre du Rêve Expérimental’s “Constellations” captures an incendiary brew of time, space, and theatricality.”
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While there’s countless moments to wink and nod at a New York and media-insider audience, “Good Morning New York” succeeds when it slows down long enough to smell the coffee and let the characters connect.
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““From A to Double D” is the story of one woman's life, one bra at a time.”
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“Vibrant, painful and beautiful all at once.”
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“Equal parts revelation as it is revelry, “Grey Rock” is a theatrical force to be reckoned with.”
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“CARTOGRAPHY is an invitation to stand at the epicenter of your own map and chart your own journey.”
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“Hedgepig Ensemble Theatre’s “Little Women” is right on time for the holidays and is guaranteed to warm your heart.”
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“High-flying and adored right in time for the holidays, now playing at the New Victory Theater is Cirque Mechanics’ latest colorful circus concoction, “42FT – A Menagerie of Mechanical Marvels.”’
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“Mummenschanz’s “RE: PLAY” will leave you with a greater understanding and expansion of what is possible to convey without words; the audience’s rapturous applause breaks their silence.”
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“Anna Karenina: a riff” is the perfect intellectual and emotional antidote to pushing aside all the negativities of modern-day news and inner demons to immerse yourself in a romp of music, humor, and heartbreak for two hours.”
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“Love Actually? The Unauthorized Musical Parody” charms its way into your heart from the second you can take lobby photos with the iconic cue cards from the movie, and from there it only continues to spiral into a zany, enthusiastic flurry of Christmas-themed fun. “
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"In Moore’s masterful hands, Miss Julie is a stirring invitation to wake up, an invigorating exploration of choice and consequence, gender and class, freewill and authority that you will want to lean forward in your chair to not miss a beat."
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“Writer and actress Lois Robbins takes on this challenge with ease, drawing on her personal truths and experiences to excavate her life, love, and sexual encounters for humorous effect in the currently running “L.O.V.E.R.”’
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“Senior’s original work speaks as an artistic blend of what it is like to have the inevitable condition of possessing a heart and a body.”
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“You must run to see See You, for it already sees through us.”
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“No Place stands as a powerful, haunting piece about global inter-connectivity where too much information has led to not enough empathy in a not-too-distant, deadly future.”
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