“Drinking Bird” is full of very relevant and well thought out ideas but the execution of those ideas never really gets out of lecture territory and I found myself longing for questions but only being given the one answer.
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“BenDeLaCreme has returned to the New York City club and cabaret scene with her latest show and like all her others it’s a doozie. Ready to be Committed is the wacky chronicle of her journey to finally tie the knot like all the greats before her.”
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The riveting one-man show, “Kennedy: Bobby’s Last Crusade”, written and performed by David Arrow is the current offering at The Penguin Theatre. A perfect venue for this intimate portrait of the young politician driven by conscience and compassion.
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Written by Amina Henry, this new version of “Sleeping Beauty” updates the fairy tale with a fun and silly production that is full of heart and carries an important message.
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The one act opera in three parts celebrates the lives of ten disparate and, in a variety of ways, desperate characters who, having each reached their tipping points, decide to visit the mob-owned Stonewall Inn which is about to reach its own tipping point during the pre-ordained and politically motivated raid on the only “safe haven” for the members of the LGBTQ+ communities.
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Mr. Ackerman and Ms. Rebeck have built a play that thrives on vacillating between tension and comedy, living somewhere in between the audience’s conscious of comfortable backstage drama and biting political commentary on existing power structures, perfectly suited for the multi-tasking, conscious-raising audiences of America 2019.
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The final offering of The Schoolhouse Theater’s 34th season is Gladstone Hollow, a mesmerizing, haunting play, written by and starring two-time Emmy award winner, Dorothy Lyman.
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“13 Fruitcakes” dazzles and destroys in one-two punches expertly strung along thirteen original musical vignettes depicting the queer experience across history. These thirteen scenes transport us from ancient to modern times, highlighting obscure and noteworthy LGBTQ+ figures and the prices they paid throughout their historical impact, ranging from AD 780 Korean King Hyegon.
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O’Casey’s themes of nationalism, divisiveness, religious freedoms and “rights,” the merits of socialism, and fantasy versus reality (fake news, alternate facts) counterpoint powerfully with the current political climate in the United States and throughout Europe.
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Perhaps all the people of the world should just go ahead and create the greatly feared New World Order everyone’s always talking about and declare Eddie Izzard its de facto leader. Now that would be wunderbar indeed.
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“Three Musketeers 1941” was an exhilarating theatrical experience that brought classic characters into a more relevant time period without making them feel too modernized. It unflinchingly portrays the World War II era and gives us characters we can no doubt relate to as well as hope for.
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MIDNIGHT STREET, a dramatic, perplexing new musical written and directed by Arnold L. Cohen, with music direction by Matt Castle, is currently slogging its way through a run at Theatre Row through June 22.
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With a nod (intentional/unintentional) to the genre of disillusioned youth represented by Kenneth Lonergan’s 1996 “This Is Our Youth,” Carla Ching’s “Nomad Hotel” currently running at Atlantic Theater Company Stage 2 dives headlong into the lives of a triangle of vagabond California youth yearning to belatedly separate and individuate from adults who have been less than successful in providing safe and secure environments and unconditional-nonjudgmental love.
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Under the playwright’s direction, the cumbersome play raises more questions than it answers and leaves the inquiring audience member desperately flipping through The Diagnostic and Statistical Manual of Mental Disorders to sort out the dysfunction displayed on stage.
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This “close-up theater” version of the play, a term coined by it’s director John DeSotelle, allows the audience to feel as if they are sitting in the Corbett’s living room with them while they navigate a life in which their son is painfully absent.
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Vanguard Theater Company's Broadway Buddy Mentorship Program offers emerging musical theater artists, ages 12 - 25, a unique opportunity for on-on-one mentorship with some of Broadway's most accomplished and rising performers, that culminated in a once in a lifetime cabaret performance on June 3, 2019, at the Leonard Nimoy Thalia Theater at Symphony Space.
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It could be argued that everyone has an addiction. It can be as common as drugs or alcohol; it could be more culturally acceptable, like television or video games. Even science and religion can become a person’s addiction.
In Dave Malloy’s new musical, “Octet,” recently extended to June 30 at the Pershing Square Signature Center, he addresses one of the more recent growing addictions, personal technology.
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Kate Hamill’s retelling of Louisa May Alcott’s “Little Women” plays at Primary Stages at an auspicious time. Amid unprecedented national and political division, issues of gender identity, gender equality, and gender protection continue to be critically important.
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While not their best of the season, perhaps, it was nonetheless a fun finale to their 2019 series of show, and bound to be something that Millennials and Boomers alike would certainly enjoy seeing.
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