Overall, “Recipe For a Witch Hunt” was a very well written and suspenseful piece with great characters and a striking relevancy. I look forward to more from Brannan in the future.
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“Big Shot” plays out like a classic romcom film scenario from the early 2000s, but as a musical staged today, it lands as a wannabe thriller that struggles to find its heart.
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The rich and enduring questions raised in “Rinse, Repeat” transcend the content of this important play and are relevant to all decisions that affect the sustainability of life and the integrity of the ego strength required to experience healthy psychological growth.
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Elise B. proves she has the wisdom, wit, and tenacity to blend the philosophy and comedy skills expert clowning requires, and she is without a doubt a star to watch out for—and that’s no joke.
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Part “Westworld” and part “The Office,” Ms. Salazar-Amaro’s play comedically dips into broad strokes of what it means for systems to not be working; whether reproductive, organizational, managerial, or even afterlife structure, each of the four characters faces an unsatisfactory system they seek to improve.
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Call this opulent, over the top, musical extravaganza anything you like but be aware it will never diminish the incredible work of a first-rate creative team or depreciate the entertainment value that it delivers.
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“Tornkid”’s innovation and creativity spinning the familiar with the unfamiliar through multi-disciplinary, cross-cultural storytelling will only continue to resonate with audiences.
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Haunting questions about their childrens’ deaths. Nights of nostalgia melt into scalding accusations. Tension, both sexual and platonic, is rampant.
These are the circumstances for At Black Lake at The Tank – while not every question was answered, the production led the audience through an eerie and sensory experience to great success.
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Living In these disturbing times, in a country filled with division, it is heartwarming to let go and enjoy this delightful romantic comedy. Happily, there is renewed hope that love can truly bring together the most unlikely of people. The world premiere of Cary Gitter’s play, The Sabbath Girl, Is now on stage at Penguin Rep Theatre. Described as “a contemporary romantic comedy with heart about the loneliness of big-city life and the possibility of finding love at work or even next door.”
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“Do Me, Date Me, Dump Me” was a really fun show, that lets you laugh, not only at the woes of these characters, but at yourself as well. So,if you’re looking for a fun night out with friends, go to the Broadway Comedy Club, check out this show, and have a laugh.
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“The Office! A Musical Parody” connects the heart of the beloved source material to the much-needed laughter of a 2019 audience stuck all too often in an often-times dark world.
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“The Robert E. Lee Statue” was an interesting idea that I look forward to seeing expanded on and how these characters evolve.
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In the newest play by Jake Shore, “The Sun Hangs There Between the Buildings and the Trees” tackles ideas of the morality of murder and when it is acceptable to take matters into your own hands.
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While it is easy to draw comparison to today’s political climate, it must be pointed out that the show itself is by no means a political bloodbath against Christianity or religion, but rather it is expertly grounded in strong characters and writing to explore a not-oft discussed time in history that can inform our present on multiple hot button issues from religion in politics to women’s rights.
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Upon the announcement that “Freddie” would join the Joyce Theater’s 2019 season, I was simultaneously overjoyed and apprehensive. How could this bubbly eccentric style translate to the formality of the Joyce Theater? How could Blackstone and a cast of primarily new dancers breathe fresh life into the show three years later? And how would audiences—both old and new—engage with “Freddie” today?
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Despite the challenges of the script, the three fine actors transcend the material to offer glimpses into the often-undisclosed problems facing three generations of women caught in restrictive matrices of expectation and oppression. It was wonderful to see Marsha Mason’s craft coalesce the threads of the three women-in-waiting to a settling down to sleep and all that metaphor encompasses.
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“In the Penal Colony” is not a play that you can fully absorb minutes after the curtain closes. This is a play that sinks in to your skin and stays there. A play that you feel before you even know why. Twenty-four hours after seeing the show, there are still things that I am working to uncover.
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Rain could not stop this performance of one of Shakespeare’s most well-known plays. The crowd gathered, umbrellas raised, to see Shakespeare in the Parking Lot’s production of “Romeo and Juliet”. This very enjoyable production took the classic story and gave it an 80s/90s spin, with costumes from those decades bringing the characters even closer to reality and allowing us to relate to them more than we already could.
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Go see this novel interpretation of this classic tale about a man’s struggle to replace vanity, pride, and ignorance with grace, humility and intelligence. It is an ironic anecdote of missed opportunities, it reminds us that, after all, beauty is only skin deep.
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The Patomac Theater Project embraces their loony side with this production of Doggs Hamlet Cahoot’s Macbeth by Tom Stoppard, bringing life and heart to characters living in a world seemingly far more strange than our own.
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