Review: "CATS" Lacks its Magic

I was so excited to take my teenage daughter to see CATS at the Pantages Theatre in Hollywood. CATS was a Broadway sensation for over 18 years and the fourth-longest running show in Broadway history.

The first time I saw the musical was in the 1980s. Based on Old Possum’s Book of Practical Cats by T.S. Eliot and music by Sir Andrew Lloyd Webber, I shared some of my favorite “memories” of the show with my daughter while driving to the theater. Director Trevor Nunn and lighting designer Natasha Katz excitedly open the show with a multitude of large green cat eyes prowling up and down the aisle before they prance upon the dimly lit stage.

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Review: "Bears" at the Factory Theatre

Factory Theatre has billed ‘Bears’ as a multi-disciplinary adventure. I’ll go one step further and say that it became a thrilling theatrical experience of movement and voice for me thanks to playwright and director Matthew MacKenzie’s creative direction.

Floyd (Sheldon Elter) is the prime suspect in a workplace accident who flees through the Rockies to escape and evade the RCMP. On his journey west towards the Pacific, Floyd looks back on his childhood, meets some unlikely companions and is transformed by his experiences through nature and through the industrial expansion in his journey.

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Christopher Peterson
“Henry V” at The American Theatre of Actors

Telling the classic story of Henry V’s clash with France and the bloody war that followed, director, Mary Lou Rosato brings us the story once again with an effective minimal set and a large and engaging cast.  Henry V was brought to life by Laris Macario, who balanced the commanding presence of the battlefield with the warm compassion towards his fellow men very well. At first it felt as though Macario was simply screaming through his lines but this improved as the play went on.

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Review: ‘Good Morning, Viet Mom’ by Cahoots Productions

Cahoots has billed this world premiere of ‘Good Morning, Viet Mom’ as authentic and irreverent. Franco Nguyen travels to Vietnam to look for inspiration for his first feature film and he finds an unexpected subject, his mother.  Mr Nguyen then delves into the personal and shares stories about visiting Vietnam for the first time and being re-introduced to the mother he thought he knew.

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Review: “Girlish” at Fresh Ink Theater

Fresh Ink Theatre Company, an organization known in Boston for producing new works by New England playwrights, recently closed their contemporary play “Girlish,” by Alexa Derman. This show, which ran from February 1st through the 16th at the Boston Center for the Arts Plaza Blackbox Theatre, tells the story of Windy (Atlee Jensen), a teenage girl who, despite her age, finds herself deep in the American Girl Doll fandom. The story follows Windy as she navigates how to balance her love of her dolls with the natural trials of growing up, including dating, makeup, and meeting the expectations of her trendy longtime best friend, Marti (Willa Eigo.) When Windy eventually strikes up a new and exciting relationship with a fellow American Girl Doll fanatic online, AGBOI97 (Dylan C. Wack), she begins to pull away from Marti and, in doing so, discovers a new array of truths about herself and her passion that cause her to step away from playing pretend and face her reality head on.

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Review: “Toto Talks” at the Kraine Theater

If there’s ever a such thing as a cliché, overdone type of fringe show, it would have to be this: A show that’s heavy on humor that relies too much of both innuendo and raunchy humor, as well as recycled stories and characters from within the public domain. If you’re a fan of both drag queens and The Wizard of Oz, then maybe you might enjoy spending an hour of your day watching one of this show’s last performances. Otherwise, you’re probably better off looking into one of the FRIGID Festival’s other offerings this year.

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Review: ‘Little Menace: Pinter Plays’ at Soulpepper

Rarely have I ever had a chance to see a Harold Pinter play because one hasn’t been done so far.  So, when I heard Soulpepper would be doing a series of Pinter one acts, I was intrigued and ventured forth to the Distillery District. 

I don’t remember reading Pinter plays during my undergraduate years at Western in studying English Language and Literature.  For shame, for shame, I know but I learned more about the term ‘Pinteresque’ from conversations with others in my involvement in community theatre or in discussions with other actors there.

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Review: "Oslo" by Studio 180 Theatre

In this humble guy’s opinion, ‘good theatre’ should entertain an audience while ‘great theatre’ should entertain and teach us something extremely important about the human condition.

For me, playwright J. T. Rogers has created great theatre with ‘Oslo’, but it is a text richly laden with dialogue so the audience will have to pay close and careful attention. Under Joel Greenberg’s astutely-handled direction, thirteen actors channel emotional and passionate driven performances highlighting the first-ever peace deal between the State of Israel and the Palestine Liberation Organization. (PLO).

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