A new play entitled “The Sabbath Girl” by Cary Gitter is the latest production to take the stage in theater “B” at 59E59, transferring from Penguin Rep Theatre where it had its world premiere.
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I was taken on a wild adventure ride through an immersive technology and multimedia to the urban jungle of Mowgli’s childhood in the forests of India…And I loved every 65 minutes of it.
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“A perfect evening for all ages, “Riddle of the Trilobites” delights, challenges, and encourages all of us to be the change we want to see in the world.”
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The talented cast and crew of Wandernook Theatre once again crafted a solid theatrical performance with their production of “You Can’t Take It with You.” Molly Bower skillfully directs this crackerjack ensemble cast to deliver a message of carpe diem and, in Bower’s words, memento mori.
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Plays parsing the viability of monogamy are nothing new. The “sacred” tie that binds “one man and one woman” have been under scrutiny since the mythic Adam and Eve stumbled out of the garden shortly after their creation and subsequent fall from grace.
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‘“I Love White Men” is a personal story but it also spends a lot of time discussing stereotypes of Singaporeans through the lens of these men that YY encounters throughout her life.”
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Firehouse Theatre once again turned up the heat on the DFW theatre scene and helped melt away the chilly winter blues with a fiery-hot production of “The Drowsy Chaperone.”
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The question that remains in my mind is why anyone would attempt to create a musical based on the dated 1969 motion picture “BOB & CAROL & TED & ALICE?”
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Star power aside, this cast is lead by the searing work of Rachel VanDuzer as daughter Ava. The only non-academic in the story, Ms. VanDuzer must distinguish herself as an innocent casualty
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Marie Chouinard’s ‘Radical Vitality, Solos and Duets’ is sexy, sleek and sinewy. It pushes the boundaries of comfort. There’s nudity in the production so make sure you enter with an open mind.
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“Wang Chong and his Beijing Théâtre du Rêve Expérimental’s “Constellations” captures an incendiary brew of time, space, and theatricality.”
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I felt those same tears welling up in my eyes at the conclusion of this phenomenal ‘Caroline, or Change’ that I also felt at the conclusion of the Broadway and Canadian productions of ‘Come from Away’. I looked around and there were other audience members who quietly wiped said tears from their eyes as well.
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‘“Border People” is a fascinating, carefully-constructed exploration against myopia.”
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Allen Community Theatre swings the door wide open for some big laughs with their high-energy production of Michael Frayn’s popular farce, “Noises Off.”
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Uproarious! Funny bone tickling entertainment skewered with razor sharp edges! Take your sweetie, take your lover, take your partner, take your friends, take your family, take them all to ‘Second City Totally Likes You’.
They do! They really do.
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What was intriguing about Stewart Arnott’s direction of ‘Marjorie Prime’ and Gillian Gallow’s design work was the effort made to not make this look like a science fiction piece. This underscores the futuristic story with even more integrity..
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An initial look at ‘Jesus Hopped The A Train’ plot might draw comparisons to television’s long running ‘Law and Order’. There’s more going on here, however, as these characters have been cut open by events regarding how the legal system has permeated their lives. And it’s for the worst.
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‘This is How We Got Here’ deals with grief but there is more underlying the text. Playwright Keith Barker states his play “is about trying to find a connection after experiencing a devastating loss.” How very true this statement is.
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While there’s countless moments to wink and nod at a New York and media-insider audience, “Good Morning New York” succeeds when it slows down long enough to smell the coffee and let the characters connect.
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““From A to Double D” is the story of one woman's life, one bra at a time.”
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