"Theatre Conversation in a Covid World" with Nathan Carroll

I do well when I give myself deadlines, writing challenges, and to-do lists. I scheduled a Zoom reading with some actors who have been generously helping me develop my play Cenotaph. This forced me to finish a draft worthy of their talents and watching Yolanda Bonnell, Aldrin Bundoc, Graham Conway, and Michael Chiem read my silly play lit a much-needed fire under my ass to keep writing.

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"Theatre Conversation in a Covid World" with Kaylee Harwood

I want everyone to be able to return safely and for audiences to feel welcomed but also taken care of. I don’t want to rush anything. Even though I’ve had to confront the injustice of how certain things can be open while others have to remain shut, I understand the motivations and financial interests, it just feels like artists get the rough go of it again.

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"Theatre Conversation in a Covid World" with Alexandra Lainfiesta

[Covid] made me sensitive to think and see beyond the obvious. It made me face fear and transform it. It made me want to come back to theatre to take the space that for years has been only been given and allowed to a certain sector of the population. It made me want to work towards taking on more leadership roles in our community. It made me sensitive to the work that needs to be done in order to achieve equity

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"Theatre Conversation in a Covid World" with Marcus Nance

I was given some incredible opportunities to film performances for online streaming. Highlights being a Christmas concert for Stratford Summer Music filmed at the beautiful Knox Church in downtown Stratford, and filming my cabaret “Voice of a Preacher’s Son” on the Stratford Festival stage for their upcoming series “Up Close and Musical” for stratfest@home

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A New Year: "Theatre Conversation in a Covid World" with Mark Cassius

I am looking forward to all the new discoveries and the re-discoveries of theatre because let’s face it – when things were being performed in the amphitheater by daylight or moonlight many, many moons ago, that was the only lighting plot we had. We can’t let our advancements and concepts now surround the piece and the people get in the way, we can’t let this happen. We need to find new discoveries to do things in live performance.

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